主演：Sin Hyeon-bin Kim Hyeok
導(dǎo)演：Ahn Yong-hoon
簡(jiǎn)介：講述了失去雙親的女孩遭強(qiáng)暴后復(fù)仇的故事...
主演：Sin Hyeon-bin Kim Hyeok
導(dǎo)演：Ahn Yong-hoon
簡(jiǎn)介：美麗的智恩（申鉉彬 飾）曾經(jīng)擁有美好的生活和光明的未來(lái)，誰(shuí)知一場(chǎng)車(chē)禍奪去了父母的姓名，而她也因?yàn)檫@場(chǎng)事故無(wú)法完成學(xué)業(yè)，遠(yuǎn)離了射擊比賽冠軍的殊榮，甚至落下了結(jié)巴的毛病。如今的她在一家工廠打工求生，生活緊緊巴巴。但是命運(yùn)從來(lái)不打算放過(guò)她，在某個(gè)夜晚，她遭到三名歹徒的輪暴，身心備受摧殘。智恩試圖報(bào)警，然而失德的警察面對(duì)這個(gè)結(jié)巴女孩沒(méi)有絲毫耐心，反而認(rèn)定她想誣陷別人訛詐錢(qián)財(cái)。未過(guò)多久，其中一名歹徒拿著智恩丟落的身份證找上門(mén)來(lái)，并意圖再次施暴。悲痛欲絕的智恩開(kāi)始反抗?！ 《源藶槠鯔C(jī)，這個(gè)已經(jīng)跌落塵埃的女孩開(kāi)始了向這個(gè)該死的世界的復(fù)仇……
主演：約翰·古德曼 勞麗·梅特卡夫 莎拉·吉爾伯特 艾麗西亞·格蘭遜
導(dǎo)演：Jody Margolin Hahn
簡(jiǎn)介：It’s official: The Conners will be getting a proper goodbye. The Roseanne follow-up has been renewed for seventh and final season. As Deadline reported exclusively last week, the order is believed to be for six episodes, with the main cast, including John Goodman, Laurie Metcalf, Sara Gilbert and Lecy Goranson, expected to return. The renewal took longer to finalize because dat...
主演：Marshall Thompson Shirley Patterson Kim Spalding
導(dǎo)演：Edward L. Cahn
簡(jiǎn)介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
主演：Raha Khodayari Mahan Nasiri 利薩·貝赫布迪 Maryam Boubani Shiva Ordooie David J Biscoe Mohamad Ramezani Pour Soheil Saeedi Sepehr Sepi
導(dǎo)演：Mahnaz Mohammadi
簡(jiǎn)介：萊拉日以繼夜地在一間老舊的工廠工作，只為糊口并養(yǎng)活12歲的兒子阿米爾與剛出生的寶寶。此時(shí)一個(gè)足以拯救她貧困生活的提議出現(xiàn)，工廠的巴士司機(jī)卡贊打算娶她，但麻煩的是，卡贊也有一個(gè)跟阿米爾差不多大的女兒，在傳統(tǒng)禮節(jié)下，改嫁的萊拉是不能帶與男方女兒年齡相近的大兒子進(jìn)門(mén)的。社會(huì)大眾無(wú)情的眼睛，以及公司同僚心懷不軌的看好戲，萊拉如果要擺脫她的悲慘命運(yùn)，只有一個(gè)辦法。迫于無(wú)奈，她只好將阿米爾送去聾啞寄宿學(xué)校，她要兒子裝聾作啞等她三個(gè)月，三個(gè)月確認(rèn)完婚后就會(huì)接他回來(lái)。實(shí)際到了那邊的阿米爾，才發(fā)現(xiàn)身邊同學(xué)都是一些被媽媽永遠(yuǎn)拋棄的小孩，所以他決定逃回家，然而屢次回去他都會(huì)因看到媽媽的辛苦而不舍再回來(lái)。阿米爾必須做出他小小年紀(jì)的第一個(gè)重大決定......
主演：海頓·潘妮蒂爾 康妮·布里登 Clare Bowen
導(dǎo)演：Mark Schwahn
簡(jiǎn)介： 蕾娜（康妮·布里登 Connie Britton 飾）是曾經(jīng)紅極一時(shí)的鄉(xiāng)村音樂(lè)天后，隨著年歲的增加，盡管蕾娜的熱度不減，但蕾娜清晰的感受到，自己已然漸漸走出了觀眾們的實(shí)現(xiàn)，無(wú)可那和淪落到過(guò)氣的邊緣?！ 」菊诖罅ν茝V一位名為朱麗葉特（海頓·潘妮蒂爾 Hayden Panettiere 飾）的美少女歌手，讓蕾娜無(wú)法忍受的是，她竟然被安排成為了陪襯她的“綠葉”。更糟糕的是，蕾娜發(fā)現(xiàn)自己的父親正打算扶持她的丈夫泰迪（艾瑞克·克羅斯 Eric Close 飾）參加市長(zhǎng)的競(jìng)選，這也就以為著，自己的所有隱私和秘密屆時(shí)都要拿出來(lái)供大眾評(píng)判。無(wú)論泰迪未來(lái)當(dāng)選與否，蕾娜此刻都毫無(wú)疑問(wèn)的站在人生的風(fēng)口浪尖之上。
主演：Oh Yeon-seo 李永勛
導(dǎo)演：Ahn Cheol-ho
簡(jiǎn)介：Unemployed Jae-wook is dumped by his girlfriend without notice. He was a burden for Sae-mi who was at the age of having to think about marriage and her future and he wasn't disqualified for it. Jae-wook is shocked and wanders around still jobless in the house of Joon-ho who is currently dating Hye-jeong who is 4 years older. Jae-wook meets Eun-ji at a indie band performance and...
主演：Angelo Kern Joanne Zimbler Alexandra Dayka
導(dǎo)演：Blake Douglas Ethan Gomez Zahnley Lenny Ibarra Gory Cory McCullough Jack McDermott Ryan Ranc
簡(jiǎn)介：After his four siblings mysteriously die in their first weeks of college, a paranoid freshman must put his fears aside when a masked killer picks him as her next victim.
主演：David Strathairn Ian Somerhalder Joseph Mazzello
導(dǎo)演：Aaron J. Wiederspahn
簡(jiǎn)介：暫無(wú)簡(jiǎn)介
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